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Japanese Festival Mexicali 2025 – Official Aftermovie
Japanese Festival Mexicali 2025 – Official Aftermovie📍 Mexicali, Baja California – May 25th, 2025 As a video producer, I had the opportunity to cover the Japanese Festival in Mexicali 2025, a vibrant cultural event full of energy, color, and community. This video was shot using a Ronin RS2 stabilizer and a Canon R6 Mark II…
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Before & After – Photo Edition – Paintball Hero
During a Paintball Mexicali event, I took advantage of halftime to capture this shot.It was taken at midday with a fisheye lens on the Canon R6 Mark II, using a speedlight under direct sunlight. Post-production edition was done in Lightroom and Photoshop, with a few AI-generated elements to enhance the atmosphere.My goal was to preserve…
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Yasunari Murayama – Lummi.ai Motion Graphics Edition
These kinds of projects were built on a solid storyboard and carefully selected visuals. The storyboard was put together in Figma under the direction of Bure and marketing supervisor Gaby Araujo (sure, there were others in the company who liked to sneak in for credit… folks, here’s your credit! wink wink, just like Chief Wiggum…
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Cool Videos I Made for Bueno.art – Motion by Yasu
These videos were developed by yours truly, Yasunari Murayama, for digital marketing at the international brand Bueno.art — created to promote the work of world-class artists. Creative collaboration One of the most valuable parts of this process was working side by side —remotely, but fully in sync— with Bure. Glued to our laptops, connected as…
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Here’s a video I edited for Bueno.art – a vibrant interview with Philip Colbert.
I edited this video while working as a video producer for Bueno.art back in 2022, as part of their “Bueno Interviews” series. I got to craft a solid creative proposal with rhythm, color, visual style, and motion graphics — making sure the energy of the piece matched the vibrant and artistic world of the guest.…
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🎤 Stage Photography: When Light and Sound Become Image
Some concerts aren’t just heard — they’re seen.This night at Foro Dragón brought together three bands with distinct energy: Los Martes, Marly Marly, and BOKÉH. Each one delivered a different sound, but all three lit up the stage with raw emotion and presence. 📸 What I Look for in Every Shot It’s never just about…
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🎥 Cartel de Santa x Carolina Limón — Visual Aftermovie Edit
By Yasunari Murayama | Editor & VFX Artist 🔥 For this project, I had the chance to edit the official aftermovie of the music festival featuring Cartel de Santa, Millonario, and Carolina Limón. The footage was captured by Lemon Bros Media and fully edited by me, using a raw, glitchy and visually aggressive style tailored…
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🎬 The Tres Historias in Mexicali Gallery: Video Production 🎥
Hello everyone, I want to share a recent project where I teamed up with LosFull.com for an exciting event in Mexicali. This was a fantastic day where I contributed as the camera operator, editor, and color grading, working closely with my wonderful family: my wife Alicia, who provided essential assistance, and my son Kenzo, who…
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“How I Saved a Logo: Vectorizing in Adobe Illustrator
When All Seemed Lost” In the world of graphic design, we often face unexpected challenges that test our creativity and technical skills. Recently, I had the opportunity to redesign a logo for a friend who found herself in a difficult situation due to her graphic designer being unreachable. Although I am an audiovisual producer with…
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How I Created a Cardiogram Animation in After Effects and Photoshop (Simple, Fun, and Not Overcomplicated)
Sometimes the best tricks in motion graphics don’t come from a perfectly polished pipeline — they come from quick solutions that just work. This post is about how I built a cardiogram animation in Adobe After Effects and Photoshop, used later as part of a heart concept (yes, a beating heart with music). The workflow…
Motion Graphics, Color Grading & Video
Sr. Video Editor & Motion Designer with 15+ years of experience across U.S., Europe, and Asia.
I create powerful visual content — from editing and animation to immersive sound and motion.
Open to remote roles where I can execute clear creative briefs, without leadership duties.
This site is my visual playground — part portfolio, part personal space. Thanks for visiting.Yasunari Murayama
